It felt like I was watching a video game and I don't want to feel that way when I'm watching a movie. Smaug is, hands down, the best-designed movie dragon the world has yet seen. It not only represents filmmaker Peter Jackson's loosest Tolkien adaptation to date far more so than An Unexpected Journey , it fundamentally alters key events, characters, themes and climactic encounters, sacrificing cherished story beats and subtleties for the sake of bigger, badder, grander movie magic and, worse, the expectations and attention spans of fickle audiences. Many of the actual sets in the movie were very well done and I'm really puzzled why they didn't use them more. The first movie had bad pacing because it was overly long without anything really happening.
But having them show up in every place to save the day feels wrong. Martin Freeman handles it like a pro, though, delivering take after take to. I really wonder what the target audience is, because it feels like it's written for 15 year old boys. He only shines in his scene with Smaug. The movie is already way too long and they still include absolutely pointless scenes.
In the end, most problems of the movie seem to stem from the decision to turn the cute Hobbit tale into three epic movies that have to live up to the Lord of the Rings hype. Jackson's rabid fans will be rewarded for their allegiance. The movie is already way too long and they still include absolutely pointless scenes. Perhaps Peter Jackson thought his cast of Dwarfs wasn't good enough to create an enjoyable movie? All of this was rushed through so we could have another action sequence of orcs chasing the party while elves chased them both but kinda helping the party of dwarfs. And remember that heartwarming last scene of An Unexpected Journey, where Thorin finally accepts Bilbo? Even though he keeps outsmarting all the Dwarfs, Bilbo is back to being an unappreciated 5th wheel of the party.
And that just doesn't work. Freeman still finds plenty of scenes and passing encounters to swipe, though, chief among them an early moment in Mirkwood where the budding adventurer realizes the lengths to which he's suddenly capable of going with the Ring in his possession. There are random action scenes every 10 minutes and 'funny' decapitations every 30. If I were a teenager instead of a ripe old 42, this wealth of fantasy action would probably have exited me no end. Also, I'm not sure the hinted-at Elf-Dwarf romance adds much to the story. After successfully crossing over and under the Misty Mountains, Thorin and Company must seek aid from a powerful stranger before taking on the dangers of Mirkwood Forest--without their Wizard. Related Torrents torrent name uploader.
There are a few negligible instances of banding and artifacting, but nothing that takes a serious toll, and nothing that will be noticed by anyone who isn't scanning the shadows, smoke and fog looking for something to overreact to. A few more commentaries maybe, but who's counting? Infusing history, culture and mythology into every costume, profession and performance was no easy task, and the filmmakers didn't breeze through the process. Arguably more here than in An Unexpected Journey, although debate will rage as to what constitutes a mistake and what constitutes boldness. Poor Evangeline Lily would however look better without those silly ears, which are simply too big and look just as fake as they are. When one of the dwarfs oversleeps and misses the boat to Erebor, I couldn't even remember who he was and why I should care that he was stranded in Laketown. It doesn't have to compete with the many, many action scenes that threaten to overwhelm it at any given moment, nor does it suffer or struggle when rivers rage, dragons roar or castles crumble.
The action could've been cut down significantly too. Elephant in the room: as a faithful adaptation of the second act of Tolkien's beloved book, The Hobbit: The Desolation of Smaug fails, and fails spectacularly. Only at that point the movie already hinted at the only possible way of defeating him. The most unforgivable being those that revolve around Smaug and a wildly out-of-place third act skirmish in Erebor. There's also something else I don't get. He can apparently do anything.
Note: this is the same short featurette that appeared on the standard Blu-ray edition of Desolation of Smaug earlier this year. Shadows are greedier, the cloak of night more oppressive, delineation less forgiving, and crush a bit more of a nuisance than before. Personally, I dig Dark Legolas; if nothing else, Jackson is laying the groundwork for a redemptive turn-on-daddy arc bound to tie up nicely in the final installment of the trilogy. You have a band of 13 Dwarfs and a Hobbit, yet you rarely see them interact. The Gimli joke was quite funny though. The angry tendrils that hiss and screech at Gandalf's light shield. Lo Hobbit: La Desolazione di Smaug è il proseguimento delle avventure del personaggio di Bilbo Baggins, in viaggio con il Mago Gandalf ed i tredici Nani, guidati da Thorin Scudodiquercia, in un'epica battaglia per la riconquista della Montagna Solitaria ed il perduto Regno dei Nani di Erebor.
Their basic motivations are also the same. Their scenes feel forced and are painful to watch. If they reach the human settlement of Lake-town it will be time for the hobbit Bilbo Baggins to fulfill his contract with the dwarves. There was also some really weird editing here too. Dialogue is intelligible, believably grounded in Jackson's Middle-earth, and meticulously prioritized.